Pro Guitar Scale Workout Video

Study guitar online with Berklee:
http://www.berkleemusic.com/?pid=2036

Expand your fret board knowledge, practice your major scales, and improve your time all simultaneously while practicing your scales to a metronome.


Why Learning Guitar Scales is Important

By Andre Sanchez

is important, even if you think it almost as boring as learning chords. The problem with many new guitarists who have just started learning is that they want to go too far too soon. That is the road to disaster, as many failed guitarists will tell you.

Have you ever seen these piano players learning how to play, when they are going up and down the octaves playing their scales? Well, they are putting money in the bank because it will help them later when they have to play certain note combinations without thinking. If you are going to be a good lead guitarist, or a solo guitarist of any description in any genre, you too will have to spend time learning your guitar scales.

So, the question that many non-musicians ask. What are scales, and why are they so important? Scales are combinations of notes, ascending or descending, normally within an octave. The major scales are the basis of all other scales, and start and end on the same not. They go in the order whole-whole-half-whole-whole-whole-half-whole, the wholes and halves representing steps. Thus, for the scale of D: D – E – F# – G – A – B – C# – D.

Scales are chosen because they are melodic and harmonic, and once learned, they can be used to produce tunes that are pleasing to the ear. When learning guitar, you will come across the pentatonic scale, which is derived from the 1st, 2nd, 3rd, 5th and 6th notes of the corresponding major scale. Thus, the pentatonic D will be D – E – F# – A – B

There are a number of reasons for learning scales, one being that they are fundamental to learning the theory of music, and if your ambition is to become a classical guitarist, then you will also be required to learn about the theory of music. They allow you to learn about harmonics and pitch, and the effects of sharps and flats. Some note combinations are discordant to the ear, and scales will make it a great deal easier for you to compose a series of notes that will sound good.

Another reason, more important to guitarists, is that they enable you to play a series of notes without thought that will sound good, especially when played fast. Most fast guitar riffs and solos would sound meaningless if played slowly, but sound great when played fast. That is because they are based upon the pentatonic scales. You could conceivably use a major or minor scale, but with a pentatonic, you only have to learn combinations of 5 notes.

By learning a few pentatonic scales, you will be able to play fast guitar licks up and down the frets, using the same 5 notes in the same order. If you listen to the main solo in ‘Bohemian Rhapsody’, written by Brian May, that is played using a pentatonic scale, as is ‘Eruption’ by Eddie Van Halen. You can play the same notes over a number of octaves and it will sound great, because the notes are a scale that is pleasing the ear. Hence, the importance to a lead guitar player of learning guitar scales.

Once you get up on stage and start playing, you are not going to remember a complex series of notes to make up a rapid guitar solo. You have to play the notes by rote. If you have learned a guitar scale, the pentatonic in particular, you will be able to play anywhere on the neck of your guitar, as long as the notes are true.

Sure, you will have to change it for each string, and according to where on the neck you play it, but the notes will be the same and they will always be played in the same order. In practise, it doesn’t matter to you if they are sharps or flats or neither: you are just playing the notes, and don’t have to understand the theory. If you have learned your guitar scales properly, then you won’t have to remember because of the muscle memory involved.

It’s the same with chords. If you have learned your chords properly, you don’t have to figure where to put your fingers, you just play the chord and you fingers automatically get them right due to the muscle memory of repetition and revision. You don’t start a new song in your gig, and then wonder what the chords are: they come automatically, and so do the scales when you need them.

That’s why learning is important, and why you shouldn’t screw up your face when asked to play them. It’s money in the bank, that you will withdraw when you are finally standing alone in front of 10,000 screaming people and striking up the first note of your fabulous guitar solo. It’s only dozens of repetitions of a pentatonic scale, but they don’t know that – they think you are fabulous – a star- and all because you took the time to learn your guitar scales.

If you want to be a good guitar player, you must learn your scales, and http://www.jamplaynow.com is the membership guitar site that will teach you all you need to know. Visit Jamplay to learn the secrets of the great players – and then use them yourself.

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Learn Guitar Online, Van Morrison – 3 Tips For Acoustic Guitar

By Mike P Hayes

Bright Side Of The Road, Gloria, Moondance, Brown Eyed Girl, Have I Told You lately, who doesn’t have a favorite Van Morrison song? Like Cat Stevens, Don McLean and James Taylor, Van Morrison’s songs sound great with just one guitar, you don’t need a band to enjoy these great songs.

Another neat thing about Van Morrison’s material is that there’s something for everyone … “Moon Dance” for the Jazz fans, “Gloria” for those who enjoy rock, and “Have I Told You Lately” for lovers.

With songs like “Brown Eyed Girl” in your guitar repertoire you will be the life of the party. Here’s 3 tips to help to play professional versions of Van Morrison songs.

Tip 1: Open Chord Voicings – Moondance – minor seventh chords

The key to playing songs like Moondance is playing open voiced minor seventh chords. Every popular song has a musical ID, it may be a lead guitar riff, a unique sounding chord progression or a particular rhythm, something that immediately enables the listener to identify that song.

When a song is well written it only takes 2 or 3 seconds for the listener to know what song is being played, even without the vocals.

With Van Morrison’s “Moondance” the first two chords correctly played is all we need … the chords are Am7 to Bm7, now while there is nothing new about these chords, it’s the way Van Morrison arranges the notes in the chord that makes the song instantly recognizable.

What do we mean by open voiced chords? The first step is to know what notes are used to build each chord, Am7 = A, C, E, G / Bm7 = B, D, F#, A.

Notice with the chord spelling for each chord how the notes are arranged in an alphabetical style sequence: Am7 = A then the next note that occurs in the chord is C then E etc, obviously certain
notes of our standard alphabet have been omitted, but you get the idea, study the Bm7 chord to make sure you understand the concept.

When the notes for each chord are arranged in alphabetical order this is called “root position”, our next step is to create four part open voiced chords.

Four part open voiced chords are usually played upon the 6th, 4th 3rd and 2nd strings. The 5th and the 1st strings are muffled by the fingers playing the other notes.

The idea is to avoid note duplication. By using chord-structures that have no duplication of chord tones it is much easier to alter the basic chords to form further altered chords.

Example of a “Am7″ four part open voiced chord: A=6th string, 5th fret, G=4th string, 5th fret, C=3rd string 5th fret, E=2nd string, 5th fret. This is the first chord for “Moondance”, move this shape up two frets and you will have the second chord Bm7.

Tip 2: intervals – thirds – Brown Eyed Girl

Brown Eyed Girl has a simple yet effective lead guitar introduction that instantly identifies the song.

If you played the intro as a single note melody in the key of “G” the notes would be as follows: B, C, D, C, B the next phrase would be E, F, G, F, E then back to the first phrase B, C, D, C, B and finally F#, F# G, A.

This single note melody is then supported by adding additional harmony notes played underneath the melody. The harmony notes are placed at an interval distance of a third below the melody.

To work out the harmony notes simply count backwards from the melody e.g. to work out the harmony note for the given “B” melody note count back three. B=>A=>G.

Here is the first five melody notes B, C, D, C, B, the harmony notes a third below indicated by [ ].

B [G], C [A], D [B], C [A], B [G},

Tip 3: – 1-3-4-5 Bright Side Of The Road.

Learning to recognize chord progressions of by ear is a great way to remember songs.

Each key has a series of chords that are created from that particular scale.

In the key of C the basic chords are C, Dm, Em ,F ,G , Am ,B dim.

C = chord 1, Dm = chord 2, Em = chord 3 ,F = chord 4 ,G = chord 5, Am = chord 6 ,B dim = chord 7.

The opening chord progression for Van Morrison’s “Bright Side Of The Road” is a 1-3-4-5 progression which when played in the key of C becomes C-Em-F-G. This is the same chord progression Van Morrison uses for the opening chords of “Have I Told You Lately”.

So you can see, by identifying the sound of chord progressions it makes the process of learning new material much easier.

Mike Hayes develops systems and products to help you succeed in your guitar playing. Find out more about how to learn guitar fast with his popular free ecourse, available at:
=> http://www.guitarcoaching.com

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Beginners Guitar Lessons – The 7 Habits of Highly Effective Guitarists

By Mike P Hayes

Just the other day after a conversation with one particularly successful guitarist, it struck me that there is a common thread that runs through all successful guitarists. Actually, I’ve noticed this over the years as I observed how many “average” students accelerated past “naturally talented” players. However as time goes by, it has become increasingly obvious that the professional attitudes that certain players cultivate are the deciding factors as to those who “make it” the those who don’t!

While their styles may be different and their areas of specialization may be diverse, they all have very similar habits. As I continued my conversations with these guitarists, I jotted down the common habits that distinguish these successful people, and here they are for you to study.

1. Set Goals – focus on your primary objective. All successful guitarists have mastered the ability to set goals. Here’s some tips for goal setting.

(a) Write your goals down, this is very important!
(b) Be specific, what do you want to achieve, in what time frame, what special skills do I need?
(c) Create a goal board, many top guitarists create a goal board where they place pictures of things they want to achieve or acquire i.e., a picture of a guitar, amp, car etc. they place this goal board in their practice room or office to help keep them motivated and stay “on-track”.

2. Daily Practice – the most successful players are also the most confident and competent players and they are confident and competent because they have a daily practice regimen.

The top guitarists are internally motivated and self- disciplined, no matter how things are going in the rest of their life, they stay focused on their musical goals.

3. Read Music – The ability to read standard music notation is also a common thread among top guitarists. In a world of ‘fix-it- all’ in five minutes guitar books and the ever popular guitar TAB system, nothing beats the ability to be musically literate!

If you want to be a top guitarist, learn to read standard music notation, otherwise you could find yourself spending your whole musical life re-inventing the ‘musical wheel’.

4. Quality Instruments / Equipment – It goes without saying that your equipment must be functional and in good repair. Notice I did not say expensive. Everything right down to your electric guitar lead must work. Remember, to have your guitar(s) set up by a competent repair person.

5. Study All Styles Of Music – This is the key to many successful musicians careers. Versatility, often means a long and successful career.

6. Excellent People Skills – This is a classic, how many times have I seen an excellent guitarist totally trash his/her career by simply having an ‘attitude’ problem.

Actually, it’s just common sense and having respect for all the people you come in contact with in the music/studio scene you would be amazed how much of my work comes from work of mouth, and that includes studio owners, engineers, studio cleaners etc.(and I’ve been doing this professionally for 30+ years).

I can vividly recall one particular guitarist who had issues with a certain studio secretary, the secretary later became the studio owner’s wife,(they often do) guess how much work that guitarist got from that studio …zero!

7. Reliable – Punctual etc. – Again, this should be painfully obvious, however it never ceases to amaze me how guitarist’s will spend their life devoted to their instrument but just can’t remember to show up for the gig.

Recently, the owner of one of the biggest recording studios in this country told me how a guitar player simply failed to ’show up’ for the recording session, he obviously must have had something much more important on (I do recall it was a nice day for surfing).

Notice how two out of the seven habits of highly successful guitarists deal with non-musical things i.e., people skills & being reliable, punctual etc., keep these things in mind and study top players at work whenever you have an opportunity.

It’s easy to see why someone like James Taylor is successful just look at how he interacts with his audience and band.

Mike Hayes develops systems and products to help you succeed in your guitar playing. Find out more about how to learn guitar fast with his popular free ecourse, available at: => http://www.guitarcoaching.com

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Acoustic Guitars For Sale – Best Selling Acoustic Guitars

Acoustic Guitars For Sale – Best Acoustic Guitars

I know as a beginner, it can be very difficult when it comes time to buying a guitar. There are hundreds of models and many brands to choose from like fender, yamaha, gibson, ephiphone… The list goes on…. I thought it would be helpful to create a post on my blog here that lists some of the best selling today. I did the research and the results are listed below. I organized the list by brand and included the top 3 for each brand. Under each brand, I included both acoustic and acoustic electric 6 string guitars. I do hope you find this post helpful in your quest for a new acoustic guitar. Click the “Pricing/Ordering Information” button under each guitar to view the price as well as customer reviews! Have fun playing with your new toy!

Yamaha Acoustic Guitars

Yamaha GigMaker Acoustic Guitar Pack Natural Yamaha GigMaker Acoustic Guitar Pack Natural

The Yamaha GigMaker Guitar Package is built around the F325 acoustic guitar with die-cast chrome tuners and a spruce top. Also includes essential accessories: a gig bag, digital tuner, strap, extra strings, picks, and an instructional DVD to kick-start your guitar playing.


Yamaha FG730S Solid Top Acoustic Guitar Natural Yamaha FG730S Solid Top Acoustic Guitar Natural

The Yamaha FG730S Solid Top Acoustic Guitar has the ultimate combo for projection and pure tone. The expertly braced spruce top speaks clearly atop the rosewood body. It has a rosewood fingerboard, rosewood bridge, die-cast tuners, body and neck binding, and a tortoise pickguard.


Yamaha FG700S Folk Acoustic Guitar Natural Yamaha FG700S Folk Acoustic Guitar Natural

The FG700S Folk Acoustic Guitar is a great entry-level acoustic guitar with deluxe features including die-cast tuners, solid Sitka spruce top, and a rosewood fingerboard. Black and white body binding.


Yamaha Acoustic Electric Guitars

Yamaha APX500 Thinline Acoustic-Electric Cutaway Black Yamaha APX500 Thinline Acoustic-Electric Cutaway Black

The Yamaha APX500 is the lowest-priced Yamaha APX model and has a spruce top with nato back and sides for articulate, crisp sound. A saddle-mounted piezo pickup with 3-band EQ and tuner keep your tone and tuning locked in.


Yamaha FX 335 Acoustic-Electric Guitar Natural Yamaha FX 335 Acoustic-Electric Guitar Natural

This finely crafted Yamaha acoustic-electric guitar provides great sound and playing ease. The FX335 has a classic dreadnought look and sound with a spruce top, rosewood fingerboard and bridge, and tortoise shell pickguard. Gold die-cast tuners provide smooth and accurate tuning. With a Piezo electric pickup mounted underneath the saddle and an onboard preamp with a 2-band EQ you will be equipped to play in any setting.


Yamaha APX900 Acoustic Electric Cutaway Guitar Black Yamaha APX900 Acoustic Electric Cutaway Guitar Black

What a guitar! A member of the APX family, the APX900 acoustic guitar features top-quality flamed maple back and sides and a solid spruce top. It delivers a rich, mature tone, with a punchy projection and a bright, long-ringing sustain.A lush and tonally versatile amplified repertoire comes of a newly designed 3-Band preamp, whose adjustable mid-band frequency covers a broad 80Hz – 10kHz spectrum. This not only allows control over the midrange but enables reshaping part of the low and high bands in addition to the dedicated bass and treble controls.


Fender Acoustic Guitars

Fender DG-8S Acoustic Guitar Value Pack Fender DG-8S Acoustic Guitar Value Pack

The Fender DG-8S Acoustic Guitar Value Pack has everything you need to learn to play guitar. It includes a natural-finish Fender dreadnought guitar with a solid spruce top, Fender’s best chromatic tuner, a gig bag, shoulder strap, picks, guitar strings, string winder, and a Fender instructional DVD in 5 languages (English, Spanish, French, German, and Japanese).


Fender CD-60 Dreadnought Acoustic Guitar Sunburst Fender CD-60 Dreadnought Acoustic Guitar Sunburst

Want features you’d expect in a much more expensive instrument? The CD-60 is your guitar, with features including a spruce top, mahogany back and sides, die-cast tuners and an included hard-shell case.


Fender DG100 Dreadnought Acoustic Guitar Natural Fender DG100 Dreadnought Acoustic Guitar Natural

The Fender DG100 is a big, warm-sounding acoustic with a solid Englemann spruce top, mahogany back and sides, dot position inlays, a tortoise shell pickguard, and abalone rosette.


Fender Acoustic Electric Guitars

Fender California Series Sonoran SCE California Custom Dreadnought Acoustic-Electric Guitar Natural Fender California Series Sonoran SCE California Custom Dreadnought Acoustic-Electric Guitar Natural

The Fender California Series acoustic-electric guitars with their soft C-shaped maple necks and Strat headstocks will have you hanging out at the Malibu beach with Frankie and Annette, doing the twist as the surf crashes in! Features include vintage-style machine heads, exclusive vintage inspired pickguards, and a dreadnought design that screams nothing but Fender!A solid spruce top provides a warm, punchy tone, and the unique, Fender-designed cutaway dreadnought body with a tighter upper bout makes for a more comfortable fit for just about any player.

These acoustic-electric guitars have a real electric feel-the “Soft C” neck shape and electric guitar strings make thfender Sonoran guitar a breeze to play. Strat players-this one will feel like coming home.The Fender California is the perfect acoustic-electric for you fans of vintage-style guitars. All Fender enthusiasts, and players who want a different look and vibe, and electric guitar players who want an acoustic that’s easy to pick up and play anywhere, anytime will appreciate the Sonoran. Vintage-inspired pickguard design, sweet SoCal colors, and rosewood fingerboard.


Fender Classic Design Series CD110CE Dreadnought Cutaway Acoustic-Electric Guitar Black Fender Classic Design Series CD110CE Dreadnought Cutaway Acoustic-Electric Guitar Black

The Fender CD110CE is a powerhouse of an acoustic electric guitar with a handsome black polyurethane finish. Features include a spruce top, scalloped bracing, 20-fret rosewood fingerboard, rosewood bridge with compensated saddle, chrome hardware, die-cast chrome tuners and Fender AGE-TN electronics.


Fender CD220SCE Dreadnought Bubinga Cutaway Acoustic-Electric Guitar Natural Fender CD220SCE Dreadnought Bubinga Cutaway Acoustic-Electric Guitar

The cutaway CD220SCE guitar features exotic and beautiful bubinga wood back and sides. The CD220SCE also features a Fender-designed dreadnought body, a solid spruce top, die-cast tuners and Fishman Classic IV T electronics with built-in tuner.


Gibson Acoustic Guitars

Gibson Advanced Jumbo Guitar Vintage Sunburst Gibson Advanced Jumbo Guitar Vintage Sunburst

A re-creation of the limited-production original that has been a collector’s item since the late ’30s. Features a hand-selected Sitka Spruce top; ’30s-style rosewood open-slot vintage bridge; mahogany neck with rosewood fretboard, inlaid MOP arrows, and Gibson logo; vintage firestripe pickguard; and solid Indian rosewood back and sides. Its notable tone and projection are credited to special top bracing, its long scale, and sloped-shoulder body. Includes hardshell case.


Gibson J-45 True Vintage Acoustic Guitar Vintage Sunburst Gibson J-45 True Vintage Acoustic Guitar Vintage Sunburst

From the blues to bluegrass to folk to pop and everything in between, the J-45 delivers. The premium sitka spruce top and solid mahogany back and sides produce unmatched mellow, full-bodied tone. The elegant appointments include mother-of-pearl dot inlays, a Madagascar rosewood bridge, white bridge pins, and nickel gotoh tuners, plus a tortoise tear drop pickguard. Includes vintage reproduction case.


Gibson Songmaker Series DSM Dreadnought Acoustic Guitar Antique Natural Gibson Songmaker Series DSM Dreadnought Acoustic Guitar Antique Natural

Gibson’s DSM Dreadnought guitar from the Songmaker series features a J-45 headstock, the rosette of the SJ-200, the pickguard from the Blues King, and the bridge from the Woody Guthrie Southern Jumbo. Gibson blended these timeless features with two classic body styles the legendary dreadnought and the grand concert, and traditional guitar-making woods including mahogany and rosewood — creating a series of guitars for every personal preference.

These Gibson guitars are all made from solid wood and sport features such as Gibson’s traditional scalloped bracing, double acting truss rods, and premium Sitka spruce tops. Other significant appointments include a solid mahogany, 25-1/2-inch scale neck with an ebony fingerboard, rosewood or white boltaron binding, genuine mother of pearl dot inlays, chrome hardware, and Tusq saddles, nuts, and bridge pins. The headstock and peghead carry the Gibson logo in silk-screened gold letters. In addition, every Songmaker Series acoustic comes with its own standard hard shell guitar case from Gibson Acoustic.


Gibson Acoustic Electric Guitars

Gibson J-45 Modern Classic Mahogany Acoustic-Electric Guitar Vintage Sunburst Gibson J-45 Modern Classic Mahogany Acoustic-Electric Guitar Vintage Sunburst

The mahogany Gibson J-45 Modern Classic is a compact acoustic-electric guitar with soft shoulders and a short scale (24-3/4″). Originating in the 1940s, the Gibson J-45 guitar is still the choice of top recording artists. The Modern Classic J-45 features scalloped and tuned bracing, body binding, mother-of-pearl dot markers, and vintage nickel tuners. The top is solid Sitka spruce, back and sides are solid Honduran mahogany, bridge and fretboard are rosewood. Equipped with an L.R. Baggs pickup for amplified gigs. IGibson includes a deluxe hardshell case with the J-45 Modern Classic Acoustic-Electric Guitar-a $230 value.


Gibson Songwriter Special Acoustic-Electric Guitar Ebony Gibson Songwriter Special Acoustic-Electric Guitar Ebony

Based on the Gibson “Square Shoulder” Hummingbird series of guitars, you know right away that the new Gibson Songwriter Special has the right DNA. To improve the breed even further, Gibson uses the vintage-style “wide-X” top bracing on this guitar for that warm, powerful, “old Gibson” sound. To bring the guitar up to the 21st Century, Gibson has refined the neck profile to make it slimmer and faster. They’ve also built in an L.R. Baggs pickup for those times you need to “plug in”.

The Songwriter Special uses all solid wood construction solid imported Honduran Mahogany for the back and sides, solid Sitka Spruce for the top. The neck is one piece Mahogany too, for added stability. The vintage-style “wide X” top bracing allows for greater top movement, and much improved projection. The bracing is scalloped by hand to keep weight down, and adding strength at the same time. This combination of tonewoods and bracing design makes for a powerful, yet very articulate sound.

The factory installed pickup is the highly respected L.R. Baggs Element, with a convenient soundhole rim mounted volume control. The pickup delivers a rich, “natural” sound, much smoother than many other “acoustic-electric” pickups. The guitar/pickup combo responds well to all playing styles and needs from vigorous flatpicking to soft chordal strums.

The Indian Rosewood Fingerboard is graced by Gibson’s “floret” inlays, and design that dales back to the famed Gibson banjos of the 30’s. The bridge is Indian Rosewood as well. The guitar is finished in a gorgeous ebony lacquer finish, not the cheaper polyurethane finish used on most other guitars at this price. To top off the guitar’s good looks are a subtle top binding, bound pickguard, and a beautiful abalone rosette around the soundhole. This guitar is shipped complete with a custom fit, hard shell case.


Gibson J-185 Acoustic-Electric Guitar Vintage Sunburst Gibson J-185 Acoustic-Electric Guitar Vintage Sunburst

The handcrafted J-185 acoustic-electric guitar is part of the Gibson Acoustic Modern Classics Series of guitars. The J-185 guitar is a jumbo cutaway featuring a premium Sikta spruce top and AAA flamed maple neck, back, and sides. The V-shaped profile neck is great for both chords and melody phrases. A rosewood fingerboard is beautifully inlaid with mother-of-pearl parallelograms. Binding includes 4-ply on the top and single-ply on the back and neck.An active electronics pickup with rim control EQ and built-in tuner plus Grover Rotomatic Tuners keep your J-185 guitar always sounding its best. The traditional Gibson rosewood bridge with mother-of-pearl dots and white bridge pins complete this beautiful acoustic-electric guitar.


Epiphone Acoustic Guitars

Epiphone Hummingbird Acoustic Guitar Ebony Chrome Hardware Epiphone Hummingbird Acoustic Guitar Ebony Chrome Hardware

Epiphone proudly presents the Hummingbird Acoustic Guitar- an exquisite work of the luthier’s art in every respect: tone, playability, and appearance. The Hummingbird’s select mahogany body with a solid spruce top projects rich tone that improves with age, and the bound rosewood fretboard is delicately crafted for effortless chording and soloing. The pickguard artistry speaks for itself. A treasured design, now available at a popular price. Chrome hardware. Limited lifetime warranty.


Epiphone DR-100 Acoustic Guitar Black Epiphone DR-100 Acoustic Guitar Black

The Epiphone DR-100 Acoustic Guitar is a nicely crafted acoustic guitar that sports a select spruce top and mahogany body and neck. This guitar epitomizes Epiphone’s focus on affordable quality. Epiphone builds the DR-100 Acoustic Guitar with chrome hardware, precision construction, and rosewood fingerboard with dot inlays.


Epiphone PR-150 Acoustic Player Pack Vintage Sunburst Epiphone PR-150 Acoustic Player Pack Vintage Sunburst

The Epiphone PR-150 acoustic package includes everything you need to start learning guitar: PR-150 dreadnought acoustic guitar, gig bag, pitch pipe, strap, picks, and a CD-ROM instructional guide with tips on guitar playing technique.


Epiphone Acoustic Electric Guitars

Epiphone EJ-200CE Acoustic-Electric Guitar Black Epiphone EJ-200CE Acoustic-Electric Guitar Black

The Epiphone EJ-200CE Acoustic-Electric Guitar is Epiphone’s version of the Gibson classic, the guitar you’ve seen in the hands of everyone from Elvis to Emmylou. Big jumbo maple body with a select spruce top, Moustache bridge, gold hardware, and crown inlays on the fingerboard. Beautiful to behold, it has huge sound that you can easily amplify via the under-bridge pickup.


Epiphone EJ-160E John Lennon Acoustic-Electric Vintage Cherry Sunburst Epiphone EJ-160E John Lennon Acoustic-Electric Vintage Cherry Sunburst

The Epiphone EJ-160E John Lennon Acoustic-Electric is a limited-edition signature model of the guitar John Lennon used to change the face of rock. From warm, natural-sounding acoustic tones to high-output acoustic-electric punches, this guitar delivers rich, vintage sounds at any level. Features a spruce top, mahogany back and sides, single-coil pickup at the neck, and volume and tone controls. Comes in vintage cherry sunburst finish.


Epiphone PR-4E Acoustic-Electric Guitar Player Pack Natural Epiphone PR-4E Acoustic-Electric Guitar Player Pack Natural

This all-inclusive player’s pack features an Epiphone PR4-E, an easy playing, attractively appointed acoustic-electric guitar with a select spruce top and mahogany back and sides. The included Acoustic-15 amplifier has 15 watts of power, 3-band EQ , and chorus. The pack also includes all the necessary accessories, such as a gig bag, pitch pipe, guitar lesson DVD, strap, picks, and cable. A very attractively-priced acoustic/electric package.


Martin Acoustic Guitars

Martin D-28 Dreadnought Acoustic Guitar Natural Martin D-28 Dreadnought Acoustic Guitar Natural

The tone of the Martin D-28 Acoustic Guitar is what separates it from all other guitars. It has a solid Sitka spruce top with glossy finish, special East Indian rosewood for the polished back and sides, and genuine ebony fingerboard and bridge. With its rich, resonant warmth and punchy volume, the D-28 is particularly well-suited to music styles requiring loud, powerful rhythm accompaniment. Includes Martin deluxe hardshell case and limited lifetime warranty.


Martin LXM Java Mahogany Little Acoustic Guitar Natural Martin LXM Java Mahogany Little Acoustic Guitar Natural

The Little Martin LXM Java Mahogany is affordably priced, tonally viablem, environmentally responsible and has a slightly smaller scale. The latest LXM has all the same features as its widely popular predecessors but with a new, rich and dark Java Mahogany high pressure laminate (HPL) pattern. Includes a padded gig bag.


Martin LXM Little Martin Acoustic Guitar KOA Martin LXM Little Martin Acoustic Guitar KOA

The Martin LXM “Little Martin” Acoustic Guitar is a perfect choice for travel, practice, and beginning students. Small, modified 0-14 Martin body features a wood-pattern HPL top with “1-style” Sitka spruce bracing, Micarta fretboard and bridge, 23″ scale, Stratabond modified low-oval neck, and Martin’s patented neck mortise. Gotoh nickel-plated tuners and C.F. Martin script logo adorn the headstock. The LXM includes Martin heavily padded gig bag.


Martin Acoustic Electric Guitars

Martin DCX1E Acoustic-Electric Guitar Martin DCX1E Acoustic-Electric Guitar

The DCX1E Mahogany Acoustic-Electric Guitar gives you the full, sweet sound of a Martin acoustic with a cutaway for ease of playing. Fishman Classic 4 Sonicore electronics make it stage and studio friendly, and its price won’t break your back. Solid spruce top with A-frame X-bracing, HPL sides and back, inlaid Boltaron rosette, black Micarta fretboard. Limited lifetime warranty.


Martin DC-Aura Cutaway Acoustic-Electric Guitar Martin DC-Aura Cutaway Acoustic-Electric Guitar

The Martin DC-Aura Cutaway Acoustic-Electric Guitar is a special dreadnought model fitted with deluxe electronics for stunning acoustic-electric tone no matter the circumstances. A special edition of the Fishman Aura Acoustic Imaging Blender provides onboard access to studio-quality sounds live.

The Aura does not change your guitar tone, but accentuates it to project the true sound of the guitar as captured by high-end condenser microphones in a premium studio. 6 customized Sound Images, derived from actual studio recordings of the DC can be blended with the resonant output of the Martin Gold+Plus Natural pickup signal for previously unattainable hi-fidelity reproduction of the world-renowned Martin acoustic tone.

Other electronic features include a fully programmable digital EQ, feedback control, and a chromatic tuner.The DC-Aura has a solid Sitka spruce top, solid Indian rosewood back and sides, mahogany neck with modified low oval shape, and special pearl hexagon outline inlays on the ebony fretboard and bridge. Other special Martin touches include a mother-of-pearl logo, ebony bridge and end pins with abalone dots, and gold tuners with ebony buttons.


Martin DC15E Acoustic Electric Cutaway Dreadnought Guitar Martin DC15E Acoustic Electric Cutaway Dreadnought Guitar

Features a dreadnought cutaway design, with solid mahogany or sapele back, sides, and top, it dispenses with elaborate cosmetics to bring you revered Martin sound at a more affordable price. A Fishman undersaddle transducer and onboard Prefix Plus Pro makes it a plug-and-play stage guitar. Low profile neck shape, rosewood fretboard (1-11/16″ nut width, standard 25.4″ scale), dark mahogany matte finish.


Seagull Acoustic Guitars

Seagull The Original S6 Acoustic Guitar Natural Seagull The Original S6 Acoustic Guitar Natural

Gorgeous domestic wild cherry back and sides provide a unique tone blending the warmth of mahogany with the crisp definition of maple. Silverleaf maple neck on a shorter 24.84″ scale with a rosewood fretboard is easy on the fingers while specially aligned machine heads make for quick, stable tuning.


Seagull S6 Entourage Acoustic Guitar Rustic Burst Seagull S6 Entourage Acoustic Guitar Rustic Burst

Seagull has done it again – the S6 Entourage boasts a super comfortable slim neck and a solid cedar top. Speaking of beauty, you’ll love the finish: a deep, rustic burst – honey toward the center, almost chocolate at the edges, with the rich red cedar shining through it all. And as with all Seagulls, the finish is thin enough to allow your tonewood to naturally age, getting better and better over time.


Seagull Coastline Series S6 Dreadnought Acoustic Guitar Natural Seagull Coastline Series S6 Dreadnought Acoustic Guitar Natural

The Seagull Coastline Series S6 is a dreadnought acoustic guitar that features back and sides made from a 3-layer lamination of wild cherry wood. With a sound that lands somewhere between the mellow tone of a mahogany guitar and the bright sound of maple, wild cherry has proven itself to be an excellent tone wood. Grown locally, wild cherry is also an ecologically friendly choice. Seagull Coastline series guitars feature very smooth necks made from Silver Leaf Maple. Seagull Coastline series guitars represent one of the world’s outstanding values in acoustic guitars.


Seagull Acoustic Electric Guitars

Seagull 25th Anniversary CW Flame Maple EQ  Acoustic-Electric Guitar Flame Maple Seagull 25th Anniversary CW Flame Maple EQ Acoustic-Electric Guitar Flame Maple

The 25th Anniversary CW Flame Maple EQ Guitar feature Seagull’s innovative Select Pressure Tested solid spruce top, measured and tested to ensure optimal stiffness and rigidity for maximum harmonic vibration. Other characteristics include a cutaway dreadnaught body style, high-gloss custom polished finish, Adirondack spruce bracing, double binding, intricate wood rosette, deluxe gold tuning machines with cream buttons, a special commemorative certificate and 25th Anniversary headstock logo.

The Anniversary CW Flame Maple EQ’s eye-catching back & sides are flame maple, made from a 3-layer lamination of hard wood, as well as a high-gloss flame maple veneer on the headstock. On-board electronics and a Seagull gig bag make this an excellent package for any working musician.


Seagull Coastline Series S6 Slim Cutaway Dreadnought QI Acoustic-Electric Guitar Natural Seagull Coastline Series S6 Slim Cutaway Dreadnought QI Acoustic-Electric Guitar Natural

The Seagull Coastline Series S6 Slim Dreadnought Cutaway QI is an acoustic-electric guitar that offers you full sound with warm mid-range tone and of course the award winning craftsmanship and value Seagull is known for. S6 Slim Dreadnought guitars feature an ultra-thin semi-gloss finish, a slim neck with slimmer nut width, and select pressure-tested solid spruce top.The back and sides of Coastline series guitars are crafted from a 3-layer lamination of wild cherry wood.

With a sound that lands somewhere between the mellow tone of a mahogany guitar and the bright sound of maple, wild cherry has proven itself to be an excellent tone wood. Grown locally, wild cherry is also an ecologically friendly choice for guitar construction. Coastline series guitars als feature very smooth necks made from silver leaf maple.The Godin EPM Quantum acoustic guitar system is simple in design and outstanding in performance.

This single source system features an exceptionally responsive saddle transducer carefully matched to side mount electronics with rotary volume, bass, and treble controls. The electronics and controls are packaged in a small and easy to use format complemented with a finely crafted pewter cover plate. In combination with the transducer, the EQ control range and frequency content have been specifically contoured to provide a very rich and full sound reproduction resulting in performance seen only in far more complex systems.


Seagull S6 Original Q1 Acoustic-Electric Guitar Natural Seagull S6 Original Q1 Acoustic-Electric Guitar Natural

Gorgeous domestic wild cherry back and sides provide a unique tone blending the warmth of mahogany with the crisp definition of maple. Silver leaf maple neck on a shorter 24.84″ scale with a rosewood fretboard is easy on the fingers while inline machine heads make for quick, stable tuning. An L.R. Baggs Acoustic Timbre preamp with EQ and ribbon transducer assures you get faithful amplified sound.


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