By Ricky Sharples
Are Flamenco guitar lessons worth taking for somebody not raised in Andalucia? Many years ago you had to be a black American to have any credibility as a blues singer or guitar player. And if you were not Spanish you never got anywhere as a Flamenco artist no matter how good you were. But these days, like many musical traditions, Flamenco is now embracing young people from non-Spanish origins.
Twenty or thirty years ago Flamenco guitar playing, at least as perceived by people outside of Spain was dominated by a couple of third-rate guitar players who were good at promoting themselves. Now you can see many fantastic guitar players, professional and amateur, Spanish and non-Spanish giving wonderful Flamenco guitar performances on YouTube. Here is a rundown on the guitar techniques you will be introduced to if you decide to take Flamenco guitar lessons.
So onto some basic Flamenco guitar techniques. The most distinctive technique used in Flamenco is the tapping on the body of the guitar. This technique is called the golpe and is performed just below the sound hole. Flamenco guitars are made with a tapping plate to minimize damage to the guitar from constant hitting of the body. The golpe is often used in conjunction with downward strokes of the thumb and with continuous up and down strokes of the index finger used by guitarists playing the Flamenco musical form called Bulerias.
The rapid picking exhibited by Flamenco guitarists is called picado. This is also used in classical guitar but to nowhere near the same degree. It is a “rest” stroke which is played by striking a string with an upward stroke of the first or second finger which comes to rest on the string behind it. So if you play a rest stroke on the second string the finger comes into contact with the third string after it has struck the note. Flamenco scale passages are played as picado using rapid alternating strokes of the first and second fingers.
Another Flamenco guitar technique is the use of rapid arpeggios. Arpeggios are played by placing the first, second and third fingers in position on the first, second and third strings as if you are going to pluck a chord. Instead of plucking all three strings you lift your whole hand slightly so that the fingers play the strings in rapid succession. The thumb and fingers of a guitarist who has practiced this technique can play some very fast arpeggio passages. The effect is similar to sweep picking used in rock guitar.
The thumb is uses almost exclusively in downstrokes. This is another rest stroke where the thumb plays, for example, the sixth string and comes to rest on the fifth string before starting the next stroke. It may seem strange to anybody who has not tried it to make the thumb and fingers “rest” between strokes, but this technique can produce some very fast thumb and picado playing.
Another technique used in Flamenco guitar is the tremolo. This is a technique for producing a long line of melody notes accompanied by the thumb playing bass notes. This technique was borrowed from classical guitar and differs in that Flamenco tremolo is played with four notes between each bass note whereas classical guitarists only play three melody notes between bass notes. In most guitar notation systems the thumb is shown as “p” (for the Spanish “pulgar”), the index finger is shown as “i” , the middle finger is designated “m” and the ring finger is “a” (for annular which is latin for ring).
To play a continuous E on the open first string of the guitar, use the fingers and thumb in this order:
Play a bass note on the open sixth string with your thumb using rest stroke.
On the open first string:
Play a free stroke with i
Play a free stroke with a
Play a free stroke with m
Play a free stroke with i
You have just played one bass note followed by four melody notes. To continue playing, make an E chord with your left hand and alternate the bass notes between the sixth, fifth and fourth strings.
As you can see these techniques are hard to explain in words. They are easier to understand if you use my written descriptions in conjunction with watching Flamenco guitarists on video. It will take some hard work to actually use these techniques, and I strongly suggest you take lessons from a guitar player who knows how to play Flamenco.
Do you want to learn to play the guitar? Learn How To Play A Guitar For Free is a constantly updated blog which contains all the resources you need for: learning to play solo guitar, how to learn guitar chords, how to learn to read and play easy acoustic guitar tabs, finding a free online guitar tuner, looking for free guitar lessons online, and how to learn guitar scales.








Used Guitars Guide on Sun, 29th Nov 2009 4:24 am
Ricky Sharples, thanks for this article. You gave me so much wisdom. Keep the good articles coming.
Angela Adams on Tue, 11th Jan 2011 6:52 am
Great insight on flamenco guitar! As a flamenco dancer, one tip i can offer to someone who is interested in learning flamenco guitar is to pair up with a dancer who is highly trained in the dance form. There are two types of flamenco guitar, Instrumental to listen to for pleasure and the flamenco guitar that the dancer dances to. If a flamenco dancer can choreograph to your guitar and you can play the forms of Alegrias, bulerias, Rhumba, Solea, Tangos and more, then you can rule the world;) Yay for students learing flamenco guitar because us dancers need guitarist:)
Antonio on Thu, 13th Jan 2011 8:50 pm
Hi there
Anyone know how to learn arpegios and more importantly for
me the bridges to the arpegios played by Livio Gianola in for example his you tube video “studi in velocita”?
I am a classical guitar player and trying to branch into
flamenco and maybe that is not the easiest place to start
but because of the classical backgroung I managed to play the
arpegio he does going down the neck but then this is bridged
with scales in a chord form. He sort of forms chords which
he plays as scales like sweep picking but I can get to keeping the speed of this sweeping between the arpeggios to maybe 70%
of the speed of the arpeggio itself so as a whole the two parts clash. He uses rest strokes all the way it seems.
Does anyone know where I can learn these “studies” from I understand the video shows his original material but where can I get similiar if not identical kind of studies with the right
hand fingering?
Regards
Antonio
Antonio on Thu, 13th Jan 2011 9:00 pm
Hi me again Antonio who posed the question about the Livio Gianola techniques or the ones he uses. I am re posting as I did not select the notify me of follow up at the bottom of the page.
Livios hands move at lightning speed so you can’t follow them
I had to listen carefully to the music. I do not wish to perform
his music at all only to learn for personal satisfaction and improve my techniques. Any teachers out there with advice?